works:

touching memory, plastic mirror (2026) [w/ score]

for bass clarinet, cello, piano, magnetic tape, a tape player.

for trio catch

had thought (2026) [w/ score]

for voice, flute, violin, accordion, piano, electronics, video)

after monday, tuesday comes (2025)

(for saxophone, live electronics, radio, tape, video)

touching memory, plastic mirror (2026)

for bass clarinet, cello, piano, magnetic tape, a tape player.

for trio catch

touching memory, plastic mirror II (2026)

(for three players, a piano, magnetic tape, a TV, live video.

haf thought 2026)

(for voice, flute, violin, accordion, piano, electronics, video)

amateur tools (2026)

for two baritone saxophones and piano

amateur tools (2026)

for tuba, baritone saxophone, and piano

the tree stump is a verb (2024)

(for saxophone ensemble and video)

things as passing (2025)

here, beautiful while (2025)

(installation)

name, meaning (2025)

(for vocalizing flute and alto saxophone)

a kind of forgetting (2023)

(for four alto saxophones)

Sam Alvarez - For Julius Eastman’s Buddha (2023)

dyads (2023)

(audio visual poem)

performing:

after monday, tuesday comes (2025)

things as passing (2025)

(for saxophone, live electronics, and video)

Pierre Boulez - Dialogue de l’ombre double (Strophe IV)

David Reminick - Gray Faces (2011)

Dai Fujikura - SAKANA (2007)

Edison Denisov - Sonata for Saxophone and Piano (1970)

Julius Eastman - Joy Boy (1974, Arr. 2023)

For Julius Eastman’s Buddha (2023)

(for solo alto saxophone)

Jake Ellzey at Yarn-Wire International Institute Festival

Excerpts from Masso Quartet’s 2023 commissioning project,

“inter-acts: a musical exploration of selves”