all works, by year:

warming (june 2027)

for mixed septet and obsolete technology (30’)

commissioned by Ensemble TaG

a place from your childhood that no longer exists (2026)

for four saxophone players, an amplified radio, and video (14’)

commissioned by ~Nois Quartet

gone but not (2026)

for four saxophone players, four radios, and live electronics (14’)

commissioned by Madison Performing Arts Foundation, for Masso Quartet

had thought (2026)

for voice, flute, violin, accordion, piano, live electronics, and video (10’)

written for the 2026 Bled Contemporary Music Week

the still there (2026)

for one player, harmonica, alto saxophone, electronics, and video (12’)

what the living do (2026)

for two players, live electronics, and live video (15’)

on partage (2026)

for two players, two like-instruments, two pulses, and two tape machines (9’)

touching memory, plastic mirror (2026)

for bass clarinet, cello, piano, magnetic tape, and a tape player (14’)

commissioned by Trio Catch

touching memory, plastic mirror II (2026)

for three players, magnetic tape, piano, a television, and live video (10’)

amateur tools (2026)

for tuba, baritone saxophone, and piano (6’)

commissioned by Ensemble Contrechamps

amateur tools (2026)

for two baritone saxophones and piano (6’)

red from a wall (2026)

for soprano saxophone, many cassette players, and tape (9’)

dull and unreconcilable, the major third, out of tune with itself,

a dissonance so familiar it fades, the feeling lost to knowing,

the radio pulling words already in the air, the outside and the in,

the pedestrian and familiar and dull and ruined and uninteresting,

the every day thing, the newsreel and the ensemble and the pedestrian

passing, unreconcilable in quality of being, the outside falling in,

the being, the room, out of tune with itself, too familiar to be (2025)

for detuned saxophone ensemble, harmonium, and many radios (14’)

commissioned by the Geneva Consort

usual allegories (2025)

for solo baritone saxophone (4’-6’)

commissioned by Festival Mixtur

after monday, tuesday comes (2025)

for alto saxophone, live electronics, radio, tape, and video (23’)

things as passing (2025)

for alto saxophone, live electronics, and video (9’)

here, beautiful while (2025)

installation for 3-channel video, re-used screens, cassette players, media players, cables.

music for three harmoniums, saxophones, and cassettes (32’)

installation commissioned by Festival Antigel

name, meaning (2025)

for vocalizing flute and alto saxophone (5’)

the tree stump is a verb (2024)

for saxophone ensemble and video (14’)

commissioned by the Northwestern University Saxophone Ensemble

a kind of forgetting (2024)

for four alto saxophones (9’)

commissioned by Masso Quartet

again in a new room (2024)

for three percussionists (11’)

commissioned by COMPOSITE Percussion Collective

red from a wall (2024)

for solo soprano saxophone (8’)

commissioned by Philip Kleutgens

for julius eastman’s ‘buddha’ (2023)

for solo alto saxophone (6’)